Готовый перевод Проверь себя: Текст

As an architect I am interested in how you solve the problem of maintaining a balance (equilibrium) between the old and new.

In our country, it is a very controversial question.

Some people believe that it is necessary to preserve everything that has been ever called beautiful, regardless of the quirkiness of taste, while others believe that you should not worry about the "old junk" as they call it.

Are you familiar with the general plan of reconstruction of Moscow? I am interested in the extent to which the reconstruction will affect the center.

The capital will have a few, or rather eight centers, the number of zones that provide for the general plan.

But, of course, the historical core of the city will remain the main center.

And all the buildings that are of interest in historic or architecturally significant, will be preserved, and urban planning will be conducted in such a way that new buildings fit in with the old ensemble, if it is worth and and it is decided to be preserved.

Below stretches of New York - white, almost any African city, but no trees, just skyscrapers, steel and concrete, anything organic natural that grows for centuries, only a determination, the rush and impatience of architects, not burdened with the burden of age-old traditions, the people whose supreme law of the landing was not security but dauntless expediency.

However, just because this city has found an entirely unprecedented, is not a classic and romantic, and some new, modern, daring beauty.

This year my wife relaxed and they took great experience: we went through the Volga-Baltic Canal with a stop at the island of Kizhi.

I too was there two years ago..

How did you like the Church of the Transfiguration? This dvadtsatidvuhglavoe miracle. And to think that the entire construction is not a single nail!

And to think that the entire construction is not a single nail! All the wooden floor bulbous domes kept by an ingenious system of wooden same hooks.

Have you noticed a carved iconostasis of the Cathedral of the Transfiguration?
- Yes, it is interesting that he does not suppress its magnificence, it harmonizes perfectly with the interior.

It turns out that the ceiling was painted, but, unfortunately, during World War II painting was almost completely lost.

- It is true that in the northern wooden architecture is usually avoided painting? It seems to me that there is a master carpenter, sought mainly to use the warm color of wood, and of course the thread.

No, it's not entirely true.

Most residential and religious buildings complemented by thread coloring.

Basically, it was used in the interior.

Usually, colors were red, green, yellow and brown tones.

Внимание! Этот перевод, возможно, ещё не готов.
Его статус: идёт перевод

Переведено на Нотабеноиде
http://notabenoid.org/book/27652/92982

Переводчики: ichuly